Trié par colloque | Retrier par auteur
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Art et Cognition
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Alberti , L. B. (ed. C. Grayson) (1973). Della Pittura, in Opere volgari.
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Armenini, G. B. (ed. M. Gorreri) (1586/1988). De’ i veri precetti della Pittura.
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Armstrong, John (2000). Move Closer: An Intimate Philosophy of Art. New York: Farrar, Straus and Giroux
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Arnheim, Rudolf (1954). Art and Visual Perception. Berkeley: University of California Press
Un classique de la psychologie de l'art.
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Ayer, A. J. (1973). The Central Questions of Philosophy. New York: Holt, Rinehart, Winston
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Barrocchi, P. (ed.) (1973). Trattati d’arte del Cinquecento.
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Baxandall, Michael (1995). Shadows and Enlightenment. New Haven & London: Yale University Press
Analyse historique, philosophique et scientifique des ombres et du rôle joué par celles-ci dans notre expérience visuelle, en particulier dans la philosophie et l'art du dix-huitième siècle.
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Benzon, William (2001). Beethoven's Anvil: Music in Mind and Culture. New York: Basic Books
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Borillo, M.; Goulette, J.P. (2002). Cognition et création : explorations cognitives des processus de conception. Bruxelles: Pierre Mardaga
Sont abordées des questions comme
l'analyse et la description des processus de conception, par exemple dans le cas de l'architecture, de la musique et de la danse.
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Bronzino, A. (ed. F. Petrucci Nardelli) (1988). Rime in Burla.
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Budd, Malcolm (1985). Music and the Emotions. London: Routledge
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Budd, Malcolm (1989). Music and the Communication of Emotion. Journal of Aesthetics and Art Criticism, Vol. 47, 2 (Spring, 1989). The American Society for Aesthetics
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Casati, Roberto (2003). The Discovery of the Shadow: The History of an Enigma That Has Fascinated Humanity's Greatest Thinkers from Plato to Galileo. London, New York: Little, Brown; Knopf
page Web personnelle de Roberto Casati
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Catarino, Ambrogio (1552). De cultu et adoratione imaginum.
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Cavanagh, P., Labianca, A.T., Thornton, I.M. (2001, 80, 179-213). Attention-based visual routines. Cognition.
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Cellini, B. (ed. B. Maier) (1968). Sopra i principi e’l modo d’imparare l’arte del disegno, Opere.
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Condivi, A. (ed. E. Spina Barelli) (1964). Vita di Michelangelo Buonarroti.
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Danto, Arthur (1981). The Transfiguration of Commonplace. Cambridge, Mass.: Harvard University Press
Une analyse de l'art comme métaphore du sens commun qui aboutit à une définition de la notion même d'oeuvre d'art.
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| |
Freedberg, David (1989). The Power of Images. Chicago: The University of Chicago Press
Un livre sur la réponse à l'image visuelle. Selon Freedberg on ne peut rendre justice aux images qu'en prenant en considération toutes les réactions humaines.
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Gibbons, Michael, Limoges, Camille, Nowotny, Helga et al (1994). The New Production of Knowledge. London: Sage Publications
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Goguen, Joseph, ed. (1999). Art and the Brain. Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 6, June-July 1999. Tucson: Imprint Academic
Volume entièrement consacré à "art et cerveau", avec des articles de V. S. Ramachandran and William Hirstein, Richard Gregory, Jaron Lanier, Bernard Baars, Partha Mitter, Semir Zeki, Nicholas Humphrey, parmi d'autres.
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Gombrich. E. H. (1977). Art and Illusion: A Study in the Psychology of Pictorial Representation. London: Phaidon
Etude fondamentale dans le domaine de la psychologie de l'art; première de nombreuses éditions en 1961.
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| |
Goodman, Nelson (1976). Languages of Art: An Approach to a Theory of Symbols. Indianapolis & Cambridge, Mass.: Hackett Publishing Company
Un classique de la philosophie de l'esthétique du XXème siècle.
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| |
Grice, H. P. (1962). Analytic Philosophy, first series; reprinted in Noë & Thompson. Oxford: Blackwell
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Hayes, A. & Ross, J., in Gregory, R., Harris, J., Heard, P., Rose, D. (eds.) (1995). The Artful Eye. New York: Oxford University Press
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Hoffman, Donald D. (1998). Visual Intelligence: How we create what we see. New York - London: W. W. Norton
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Hope, C. (ed. P. Taylor, F. Quiviger) (2000). Composition from Cennini and Alberti to Vasari. Pictorial Composition from Medieval to Modern Art.
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Hume, David (1740/1978). A Treatise of Human Nature. Oxford & New York: Clarendon Press
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Humphreys, G.W. et al. (1998). Attention, Space and Action. Oxford: Oxford University Press
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Kant, Immanuel (Norman Kemp Smith, trans.) (1781/1987-1929). Critique of Pure Reason. London: Macmillan
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Kohler, Ivo (1951). Österreichische Akademie der Wissenschaften. Sitzungsberichte, philosophish-historische Klasse, 227, 1-118.
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Kornell, M. (1992). Artists and the Study of Anatomy.
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Leonardo da Vinci (ed. Richter, J. P.) (1939). The literary works of Leonardo da Vinci compiled and edited from the original manuscripts.
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Lomazzo, G. P. (ed. P. Ciardi) (1973). Trattato dell’arte della pittura, scoltura e architettura, in Scritti d’arte.
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Mach, Ernst (C. M. Williams, trans.) (1886/1959). The Analysis of Sensation. New York: Dover
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Marr, David (1982). Vision. New York: W. H. Freeman and Sons
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Noë, Alva (forthcoming). Action in Perception. Cambridge, MA: MIT Press
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Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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Noë, Alva & Thompson, Evan (eds.) Vision and Mind: Selected Readings in the Philosophy of Perception. Cambridge, MA: MIT Press
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Pino, P. (ed. E. Camesasca) (1954). Dialogo di pittura.
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Pozzi, Giovanni & Leonardi, Claudio, ed. (1988). Scrittrici mistiche italiane.
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Price Williams, D. R. (1957). Proprioception and Personal Identity. Philosophy and Phenomenological Research, 17, 1957, pp. 536-545.
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Pylyshyn, Zenon (2001, 80, 127-158). Visual indexes, preconceptual objects and situated vision. Cognition.
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Ramachandran, V. S.; Hubbard, E.M. (2001). Synaesthesia - A Window Into Perception, Thought and Language. Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 8, No. 12, 2001. Tucson: Imprint Academic
lien à l'article
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Ramachandran, VS ; Hirstein, W. (1999). The Science of Art. Journal of Consciousness Studies, vol. 6.
Une théorie de l'expérience artistique humaine et des méchanismes neuronaux qui en sont les médiateurs.
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Schilder, P (1950). The image and appearance of the human body: studies in the constructive energies of the psyche.
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Schmidt, , R. F., ed. (1986). Fundamentals of sensory physiology.
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Schutte, A. J. (1983). Printed Italian vernacular religious books 1465-1550: a finding list.
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Stalling-Taney, M. (1965). Meditaciones de passione Christi olim sancto Bonaventura attributae.
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Tyler, Christopher W. (1999). Is Art Lawful? (Commentary on Ramachandran and Hirstein, 1999). Perspectives: Neuroscience. Science. 285:673-4 (1999).
lien à l'article
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Vasari (ed. R. Bettarini, P. Barocchi) (1976). Le vite de’ più eccellenti pittori, scultori e architettori nelle redazioni del 1550 e 1568.
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Wolpert, D. M., Ghahramani, Z., Jordan, M. I. (1995). An Internal Model for Sensorimotor Integration. Science, New Series, v. 269, Issue 5232, 1995, pp. 1880-1882.
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Enaction
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Auvray M. & O'Regan J.K., ((in press)). L'influence des facteurs sémantiques sur la cécité aux changements progressifs dans les scènes visuelles. Année Psychologique.
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Bompas A & O’Regan J.K., ((2003)). A Sensorimotor Approach of Color Perception. (Abstract),. Perception, (supplement)..
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Bompas A., Clark J., O'Regan J.K., ((2002)). Color Perception in the Sensorimotor Contingency Theory. (Abstract),. Perception (supplement)..
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Les défis de la publication Web
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AUTIÉ, Dominique (2000). De la page à l'écran : réflexions et stratégies devant l'évolution de l'écrit sur les nouveaux supports de l'information. Montréal: ELAEIS
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BALPE Jean-Pierre et le groupe @graphe Trajectoires.
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BIRKERTS, Sven (1994). The Gutenberg Elegies. The Fate of Reading in an Electronic Age. Boston: Faber and Faber
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Bloom, Howard (2000). Global Brain: the Evolution of Mass Mind from the Big Bang to the 21st Century.. United States: John Wiley & Sons, Inc.
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BLUMENBERG, Hans (1984 (1979)). Naufrage avec spectateur. Paradigme d’une métaphore de l’existence. Paris: L’Arche éditeur
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BRANDENBOURGER Anne-Cécile (2000). Apparitions inquiétantes. Éditions 00h00
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CAMUS Renaud Vaisseaux brûlés.
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CHARLES, Michel (1995). Introduction à l’étude des textes. Paris: Seuil
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CHARTIER, Roger (1997). Le livre en révolutions. Paris: Textuel
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CHARTIER, Roger (1996). Culture écrite et société. L'Ordre des livres (XIVe-XVIIIe siècle). Paris: Albin Michel
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CHARTIER, Roger (1995). Lecteurs dans la longue durée : du codex à l’écran. Histoire de la lecture : un bilan des recherches p. 271-283. R. Chartier, éd., Paris, IMEC éd., Éd. De la maison des sciences de l’homme
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CLÉMENT, Jean (1995). Du texte à l’hypertexte, vers une épistémologie de la discursivité hypertextuelle. Hypertextes et Hypermédias p.263-274. Paris: Hermès
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COULON François (1997). 20% d'amour en plus. Kaona
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COULON François (2002). Pause.
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DANIELEWSKI, Mark Z (2002). La Maison des feuilles. Paris: Denoël
Collections " Et d’ailleurs »
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De BOUTINY Lucie NON-roman.
NON-roman de Lucie de Boutiny
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DUFOUR Frank, CHIFFOT Jacky, ARMANETTI Gilles (1997). Sale Temps. Microfolie's
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DYENS, Ollivier (2002). La texture de la nouvelle connaissance. éc/arts, n° 2 p. 275-279.
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FISH, Stanley (1982). Is There a Text in this Class?. Cambridge: Harvard U. P.
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Gibbons, Michael, Limoges, Camille, Nowotny, Helga et al (1994). The New Production of Knowledge. London: Sage Publications
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Higuinen, Erwan, Tesson, Charles (septembre 2002). Cinéphiles et ludophiles. Cahiers du cinéma, hors-série spécial jeux vidéos p. 4.
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JACKSON Shelley, PATCHWORK Girl Eastgate.
Eastgate
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JOYCE Michael Afternoon a story.
Eastgate
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Kelly, Kevin (1994). Out of Control. The New Biology of Machines, Social Systems and the Economic World. Massachusetts: Addison-Wesley Publishing Company
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Kelly, Kevin (1999). New Rules for the New Economy: 10 Radical Strategies for a Connected World. Penguin Books
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Kerckhove, Derrick de (1997). Connected Intelligence: The Arrival of the Web Society. Somerville House Books
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Klein, Naomi (2000). No Logo: Taking Aim at the Brand Bullies. Toronto: Vintage Canada Edition
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LAFAILLE Jean-Michel Fragments d'une histoire.
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Lévy, Pierre (2000). World Philosophie. Paris: Éditions Odile Jacob
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Luger, George F, Stubblefield, William A (1993). Artificial Intelligence, Structures and Strategies for Complex Problem Solving. Redwood City: The Benjamin-Cummings Publishing Company Inc.
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Rifkin, Jeremy (2000). The Age of Access. New York: Jeremy P. Tarcher/Putnam
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Steven Johnson (2001). Emergence: the Connected Lives of Ants, Brains, Cities, and Software. NewYork: Scribner
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SWIGART Rob About Time.
About Time
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Yam, Philip (1998). Intelligence Considered. Scientific American, Exploring Intelligence, Winter 1998, Volume9, Number 4. p.6-11. Scientific American
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Les neurones miroir
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Adolphs, R. (2003). "Cognitive neuroscience of human social behaviour". Nat. Rev. Neurosci, 4(3): 165-178.
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Ferrari, P.F.; Gallese, V.; Rizzolati, G.; Fogassi, L. (2003). Mirror neurons responding to the observation of ingestive and communicative mouth actions in the monkey ventral premotor cortex. European Journal of Neuroscience, 16: 114-126.
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Gallese, V. (in press). "The acting subject: Towards the neural basis of social cognition.". in T. Metzinger (ed.) Neural Correlates of Consciousness. Empirical and Conceptual Questions.
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Gallese, V. (2001). "The Shared Manifold Hypothesis: From Mirror Neurons to Empathy". Journal of Consciousness Studies, 8, n. 5-7: 33-50..
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Gallese, V. (2003). "The manifold nature of interpersonal relations. The quest for a common mechanism". Philosophical Transactions of the Royal Society.
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Gallese, V. (2004). "Being like me. Self-other identity, mirror neurons and empathy". S. Hurley, N. Chater (eds.) Perspectives on Imitation: From Cognitive Neuroscience to Social Science. Cambridge: MIT Press
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Rizzolati, G. (2004). "Neural circuits involved in the recognition of actions performed by nonconspecifics. An fMRI study". Journal of Cognitive Neuroscience.
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Rencontres Art et Cognition
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Armstrong, John (2000). Move Closer: An Intimate Philosophy of Art. New York: Farrar, Straus and Giroux
|
| |
Arnheim, Rudolf (1954). Art and Visual Perception. Berkeley: University of California Press
Un classique de la psychologie de l'art.
|
| |
Ayer, A. J. (1973). The Central Questions of Philosophy. New York: Holt, Rinehart, Winston
|
| |
Budd, Malcolm (1985). Music and the Emotions. London: Routledge
|
| |
Budd, Malcolm (1989). Music and the Communication of Emotion. Journal of Aesthetics and Art Criticism, Vol. 47, 2 (Spring, 1989). The American Society for Aesthetics
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Bullot, Nicolas J., Ludwig, Pascal (Advisory Editors) Smith, Barry (Editor) (2003). The Monist 'Art and the Mind'. Peru, Illinois: The Hegeler Institute
Table du contenu
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Casati, Roberto (2003). The Discovery of the Shadow: The History of an Enigma That Has Fascinated Humanity's Greatest Thinkers from Plato to Galileo. London, New York: Little, Brown; Knopf
page Web personnelle de Roberto Casati
|
| |
Cavanagh, P., Labianca, A.T., Thornton, I.M. (2001, 80, 179-213). Attention-based visual routines. Cognition.
|
| |
Danto, Arthur (1981). The Transfiguration of Commonplace. Cambridge, Mass.: Harvard University Press
Une analyse de l'art comme métaphore du sens commun qui aboutit à une définition de la notion même d'oeuvre d'art.
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Davies, Stephen (1987). Authenticity in Musical Performance. British Journal of Aesthetics.
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Dutton, Denis (1965, 4). Artistic Crimes. British Journal of Aesthetics.
Une analyse du rôle de la performance dans l'évaluation des faux en art.
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| |
Freedberg, David (1989). The Power of Images. Chicago: The University of Chicago Press
Un livre sur la réponse à l'image visuelle. Selon Freedberg on ne peut rendre justice aux images qu'en prenant en considération toutes les réactions humaines.
|
| |
Goguen, Joseph, ed. (1999). Art and the Brain. Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 6, June-July 1999. Tucson: Imprint Academic
Volume entièrement consacré à "art et cerveau", avec des articles de V. S. Ramachandran and William Hirstein, Richard Gregory, Jaron Lanier, Bernard Baars, Partha Mitter, Semir Zeki, Nicholas Humphrey, parmi d'autres.
|
| |
Gombrich. E. H. (1977). Art and Illusion: A Study in the Psychology of Pictorial Representation. London: Phaidon
Etude fondamentale dans le domaine de la psychologie de l'art; première de nombreuses éditions en 1961.
|
| |
Goodman, Nelson (1976). Languages of Art: An Approach to a Theory of Symbols. Indianapolis & Cambridge, Mass.: Hackett Publishing Company
Un classique de la philosophie de l'esthétique du XXème siècle.
|
| |
Gregory R., ((1990)). How do we interpret images?. In H.Barlow et al. (Eds.), Images and Understanding (pp. 310-330),.
|
| |
Grice, H. P. (1962). Analytic Philosophy, first series; reprinted in Noë & Thompson. Oxford: Blackwell
|
| |
Hayes, A. & Ross, J., in Gregory, R., Harris, J., Heard, P., Rose, D. (eds.) (1995). The Artful Eye. New York: Oxford University Press
|
| |
Hecht, H., Schwartz, R., Atherton, M. (ed.) (2003). Looking into Pictures. Cambridge, MA: MIT Press
|
| |
Hoffman, Donald D. (1998). Visual Intelligence: How we create what we see. New York - London: W. W. Norton
|
| |
Hope, C. (ed. P. Taylor, F. Quiviger) (2000). Composition from Cennini and Alberti to Vasari. Pictorial Composition from Medieval to Modern Art.
|
| |
Hume, David (1740/1978). A Treatise of Human Nature. Oxford & New York: Clarendon Press
|
| |
Humphreys, G.W. et al. (1998). Attention, Space and Action. Oxford: Oxford University Press
|
| |
Kant, Immanuel (Norman Kemp Smith, trans.) (1781/1987-1929). Critique of Pure Reason. London: Macmillan
|
| |
Kohler, Ivo (1951). Österreichische Akademie der Wissenschaften. Sitzungsberichte, philosophish-historische Klasse, 227, 1-118.
|
| |
Mach, Ernst (C. M. Williams, trans.) (1886/1959). The Analysis of Sensation. New York: Dover
|
| |
Marr, David (1982). Vision. New York: W. H. Freeman and Sons
|
| |
Neill, A.; Ridley, A. (1995). Arguing About Art. New York: Routledge
Une anthologie de textes recents en esthétique et théorie de l'art avec une section sur la question de l'authenticité.
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| |
Neill, A.; Ridley, A. (1995). Arguing About Art. New York: Routledge
Une anthologie de textes recents en esthétique et théorie de l'art avec une section sur la question de l'authenticité.
|
| |
Neill, A.; Ridley, A. (1995). Arguing About Art. New York: Routledge
Une anthologie de textes recents en esthétique et théorie de l'art avec une section sur la question de l'authenticité.
|
| |
Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
|
| |
Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
|
| |
Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
|
| |
Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
|
| |
Noë, Alva (forthcoming). Action in Perception. Cambridge, MA: MIT Press
|
| |
Noë, Alva & Thompson, Evan (eds.) Vision and Mind: Selected Readings in the Philosophy of Perception. Cambridge, MA: MIT Press
|
| |
Price Williams, D. R. (1957). Proprioception and Personal Identity. Philosophy and Phenomenological Research, 17, 1957, pp. 536-545.
|
| |
Pylyshyn, Zenon (2001, 80, 127-158). Visual indexes, preconceptual objects and situated vision. Cognition.
|
| |
Ramachandran, V. S.; Hubbard, E.M. (2001). Synaesthesia - A Window Into Perception, Thought and Language. Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 8, No. 12, 2001. Tucson: Imprint Academic
lien à l'article
|
| |
Ramachandran, VS ; Hirstein, W. (1999). The Science of Art. Journal of Consciousness Studies, vol. 6.
Une théorie de l'expérience artistique humaine et des méchanismes neuronaux qui en sont les médiateurs.
|
| |
Schilder, P (1950). The image and appearance of the human body: studies in the constructive energies of the psyche.
|
| |
Schmidt, , R. F., ed. (1986). Fundamentals of sensory physiology.
|
| |
Tversky, B. ((2001)). Spatial schemas in depictions. In M. Gattis (Ed.), Spatial schemas and abstract thought. Pp. 79-111. Cambridge: MIT Press
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Tversky, B. ((2005)). Functional significance of visuospatial representations. In P. Shah & A. Miyake (Editors.), Handbook of higher-level visuospatial thinking. Cambridge: Cambridge University Press
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| |
Tyler, Christopher W. (1999). Is Art Lawful? (Commentary on Ramachandran and Hirstein, 1999). Perspectives: Neuroscience. Science. 285:673-4 (1999).
lien à l'article
|
| |
Wolpert, D. M., Ghahramani, Z., Jordan, M. I. (1995). An Internal Model for Sensorimotor Integration. Science, New Series, v. 269, Issue 5232, 1995, pp. 1880-1882.
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Repenser l'interdisciplinarité
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Bekoff, M. (1994). But is it research? What price interdisciplinary interests. Biology and Philosophy 9: 249-251.
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Ben-David, Joseph (1971). The scientist’s role in society. Englewood Cliffs
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Boix Mansilla, V., Gardner, H., & Miller, W. (1999). On disciplinary lenses and interdisciplinary work. In: P. Grossman & S. Wineburg (Eds.). Disciplinary Encounters. New York: Teachers College Press.
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Chubin, Daryl E. (1976). The Conceptualization of Scientific Specialties. Sociological Quarterly 17: 448-476.
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Dahlberg, Ingetraut (1994). Domain Interaction: Theory and Practice. Advances in Knowledge Organization, 4: 60-71.
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Defila R. and Di Giulio. A. (1999). Evaluating Transdisciplinary Research. Newsletter of the Swiss Priority Program Environment, Swiss National Science Foundation.
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